This feature-length documentary provides a vivid, eye-opening, and appropriately personal introduction to one of the most important, yet perpetually marginalized, realms of filmmaking: avant-garde cinema. Achieving the near-impossible task of doing justice in a mere 82 minutes to this incredibly rich, varied, and expansive domain, FREE RADICALS is as expertly constructed an introduction to the topic as one could hope for, thanks in large part to the film’s privileging of rare interviews with some of the most important filmmakers in the avant-garde tradition (including Jonas Mekas, Peter Kubelka, Stan Brakhage, and Hans Richter), and its inclusion of several films in their entirety. The film’s sincere admiration for its subject is best reflected by Chodorov’s own description: “I wanted to share a few of the films I love and introduce you to some of the free, radical artists who made them.”

“Named after the experimental film classic by Len Lye, FREE RADICALS is an informative yet above all passionate film essay, as well as a fine introduction to the world of avant-garde film. … Using a range of different film formats along the way, Chodorov sketches out the genealogy of avant-garde filmmaking in a playful, yet ultimately very accessible documentary that aims to transmit this legacy to a new audience.” –ROTTERDAM INTERNATIONAL FILM FESTIVAL

"Here is a film that shines with its cast: Hans Richter, Maya Deren, Stan Brakhage, Jonas Mekas, Maurice Lemaitre and other “star” experimental filmmakers (mostly Americans, up through the ‘70s) parade in majesty. They do so with no false modesty (their candidness and confidence are rather surprising, sometimes humorous), and with a clear pleasure at having their turn in front of the camera, to be projected and listened to." - LES CAHIERS DU CINÉMA

"Touching and personal, this documentary will serve as a guide for all those who are touched by the desire to plunge into this era, taking them for a journey. The “free radicals” of the title are artists that, beginning in the 1920’s and through the 1970’s, have pushed cinema toward experimental visual poetry. [...] The film pays worthy homage to this fringe of cin- ema, too often reduced to a hermetic citadel rather than a space open to the winds, where chance, a do-it-yourself ethic, and humour have often played a large role." -LE MONDE