Cinema Soloriens Feat Daevid Allen/marshall Allen
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Mon 1 April 2013 // 20:00
James Harrar's Cinema Solariens Feat Marshall Allen [Sun Ra Arkestra] and Daevid Allen [Gong/Soft Machine]
(Monday 1st April / 8pm / £13 advance)
Multi-media, film and music performance.
Cinema Soloriens is a multi-media performance consisting of James Harrar’s experimental and highly personal film and video images with a live musical rendering of soundtracks for each film. The musical concepts are created, directed and performed by Harrar (tenor sax, EVI, bulbul tarang, reeds, voice and electronics) with Marshall Allen (alto sax, flute, keyboards, EVI and effects), Daevid Allen (guitar, effects and voice) and Rogier Smal (percussion and electronics) plus a stellar changing line-up of gifted musicians.
The project places attention on Artist collaboration, exploring the moving image with live performance and when combined, an attempt to reveal deeper levels of interpretation within Harrar’s visceral film poems. These presentations also celebrate the early beginnings of cinema, providing live music to support and elevate the silent movie experience.
Any musical incarnation of Cinema Soloriens reveals a group possessing a penchant for psychedelic rock, outre ethnological improvisations and Marshall Allen approved jazzy stomps of which these performances deliver in equal measure.
(Monday 1st April / 8pm / £13 advance)
Multi-media, film and music performance.
Cinema Soloriens is a multi-media performance consisting of James Harrar’s experimental and highly personal film and video images with a live musical rendering of soundtracks for each film. The musical concepts are created, directed and performed by Harrar (tenor sax, EVI, bulbul tarang, reeds, voice and electronics) with Marshall Allen (alto sax, flute, keyboards, EVI and effects), Daevid Allen (guitar, effects and voice) and Rogier Smal (percussion and electronics) plus a stellar changing line-up of gifted musicians.
The project places attention on Artist collaboration, exploring the moving image with live performance and when combined, an attempt to reveal deeper levels of interpretation within Harrar’s visceral film poems. These presentations also celebrate the early beginnings of cinema, providing live music to support and elevate the silent movie experience.
Any musical incarnation of Cinema Soloriens reveals a group possessing a penchant for psychedelic rock, outre ethnological improvisations and Marshall Allen approved jazzy stomps of which these performances deliver in equal measure.