Christine (Sandy McLeod), a bright and unassuming young woman, takes a job selling tickets at a porno theater near Times Square. Instead of distancing herself from the dark and erotic nature of this milieu, Christine soon develops an obsession that begins to consume her life. The character's reaction unexpectedly flips normal gender roles; director Gordon daringly twists feminist ideology by showing a woman who finds self-expression through an interest in pornography. VARIETY becomes even more provocative when it dramatizes the changes that occur in Christine's relationships with both Mark (Will Patton), her boyfriend, and Louie, a dangerous-looking patron of the theater.

Few films deal honestly with a female's sexual point-of-view, and particularly with the way in which she develops her own fantasy world. Controversial and highly personal, Variety does just that, and in so doing announces itself as the major film of a director who embodies the essence of independent cinema.

Emerging out of the underground NYC arts scene that produced the late '80s boom in American independent cinema, VARIETY contains the contributions of an impressive array of talent, including cinematographer Tom DiCillo (LIVING IN OBLIVION), actor Luis Guzman (BOOGIE NIGHTS), a script by the late cult novelist Kathy Acker, and a score by actor and musician John Lurie (STRANGER THAN PARADISE). Renowned photographer Nan Goldin appears in a supporting role and produced the film's stills.

"I wanted to hear women talk dirty and to see what kind of power that might yield. I wanted women to look back instead of being looked at." Bette Gordon, on 'Anybody's Woman'

"Both the film and my slideshow are specific in that they involve people who look a certain way... the issues are the same" Nan Goldin interviewed by Mark Holborn, 1986