A time and spaced fantasy.

Ye Shall Know The Truth And The Truth Shall Set You Free.

Eggshells is the headiest 'head' film you've never heard of, the debut feature from future 'Master Of Horror,' Tobe Hooper, the director of The Texas Chainsaw Massacre, released a half-decade later.

Part cinéma vérité documentary, part 'freakout fantasy,' and with virtually no traditional narrative, Eggshells is a surreal, experimental time capsule of the late-1960s counterculture, both psychedelic and political.

In a series of acid-splashed reveries, it captures the atmosphere of a bohemian hippie commune in the woods outside Austin, Texas, in 1969, as the residents navigate the existential dilemma of whether to 'sell out' and conform to the mainstream society from which they have rebelled or else disappear as their utopian era comes to a close.

Full of Jean-Luc Godard-like rule-breaking trickery and playful pop art inflections, Eggshells is populated with not only anti-war student protests, nubile nudity, strange occurrences (like exploding paper planes and stop-motion paintings), bizarre sci-fi twists, and an eerie, underlying, semi-mystical 'crypto-embryonic hyper-electric presence,' but also a comic undercurrent and a blistering score by Austin psych-folk legend Shiva's Headband.

Long considered lost, a print surfaced against all odds in late 2000, and Eggshells was shown for probably the first time in close to four decades at the SXSW Film Festival in 2009.

The first full-length film made in Austin, Eggshells, makes explicit the embryonic stages of Hooper's stylistic hallmarks with camera movements, point-of-view manipulations, and even shots foreshadowing iconic moments in The Texas Chainsaw Massacre - the specific hippie commune house would later be utilized in his 1974 horror masterpiece.

Approached either as a lingering, dreamlike snapshot of the late-sixties hippie lifestyle and/or as a strange, uniquely compelling curio by a gifted director, the film is a rewarding, weird, and uncompromised watch for cult cinema fans, Hooper completists, and serious cinephiles.

'It's a real movie about 1969, kind of vérité but with a little push, improvisation mixed with magic. It was about the beginning and end of the subculture. It's a mixture of Warhol's TRASH and Disney's FANTASIA.' 
Tobe Hooper